Sculpture Project 2025

A New Sculptural Process: From Concept to Monument

Art is a constant evolution, a dialogue between vision and material, between concept and form. My latest sculptural process is a reflection of that evolution—an exploration of abstraction, movement, and transformation. What began as a single model has grown into a series of sculptures, each emerging from the same foundation yet carrying its own distinct energy. These works, initially created in cardboard, are more than just studies; they are blueprints for something monumental—pieces envisioned in stainless steel, towering up to 10 feet in height, and placed within water to create an immersive, reflective experience.

This process is not just about creating sculptures; it is about shaping space, light, and perception. Each piece is a meditation on balance and motion, capturing a sense of fluidity within solid form. As I refine my approach, I am discovering new ways to push the boundaries of materiality, using humble beginnings to inspire powerful, enduring works.

The Process: From Cardboard to Stainless Steel

The journey of these sculptures begins with cardboard—a material that is often overlooked but serves as the perfect medium for experimentation. It is lightweight, easy to manipulate, and allows for rapid prototyping of ideas. Working with cardboard enables me to explore the interaction of planes, edges, and negative spaces without the constraints of heavier materials.

Each sculpture starts as a composition of interwoven forms, cut and folded to create a dynamic structure. I allow intuition to guide me, responding to the flow of the shapes, adjusting angles, refining proportions. These cardboard models are not rigidly planned but rather developed through an organic, hands-on approach—one that embraces spontaneity and the natural rhythm of creation.

While these models may seem delicate, they hold within them the essence of the final piece. Every cut, every fold, every negative space is a conscious decision, designed to translate seamlessly into metal. The transformation from cardboard to stainless steel is not just a change in material but a shift in perception—the ephemeral becomes permanent, the fragile becomes indestructible.

Interplay of Light, Reflection, and Space

One of the most exciting aspects of this process is how the final sculptures will interact with light and their surroundings. Stainless steel, with its reflective surface, takes on the characteristics of whatever is around it. Unlike cardboard, which absorbs light, steel captures and distorts it, creating an ever-changing interplay of reflections.

I imagine these sculptures standing in open spaces, where natural light plays across their surfaces, constantly altering their appearance. Morning light will cast soft, elongated shadows, while midday sun will make the edges crisp and defined. As the day progresses, the sculptures will shift in tone and texture, responding to the elements in a way that makes them feel alive.

This interaction is magnified when placed in water. The reflective surface of the steel will merge with the rippling reflections on the water’s surface, creating a sense of movement even in stillness. The water will not only serve as a mirror but as an active participant in the experience—blurring the boundaries between the sculpture and its environment.

A Language of Motion and Balance

Though abstract in form, these sculptures are deeply rooted in movement. My experience as a horseman continues to shape my artistic approach; I see a parallel between the way a horse moves and the way form flows within these structures. There is an energy, a rhythm, a balance that must be maintained. Just as a rider must find harmony with a horse, I seek to find harmony within these sculptural forms.

The interplay between mass and negative space, between stability and openness, is at the heart of this series. Each piece conveys a sense of weightlessness despite its solid construction. The forms twist, fold, and reach outward, suggesting a frozen moment of motion—like wind shaping a landscape, like a body shifting mid-dance.

This exploration of motion is enhanced by the viewer’s own movement. As one walks around these sculptures, new perspectives emerge. Openings reveal hidden angles, reflections change, shadows stretch and contract. The experience is not static; it is fluid, interactive, alive.

Scaling Up: From Model to Monument

One of the most transformative aspects of this process is scale. A model that fits in my hands takes on an entirely different presence when expanded to 10 feet in height. At this scale, the sculptures are no longer just objects—they become environments. They command space, invite interaction, and create an immersive experience for the viewer.

Scaling up requires careful refinement. Every detail of the cardboard model must be translated precisely into metal. Edges must be clean, angles precise, structural integrity ensured. But despite the technical demands, my goal is to retain the organic energy of the original model—to preserve the spontaneity and movement that make these pieces feel alive.

When standing before these monumental forms, the viewer is no longer just observing; they are part of the composition. The sculptures become architectural, shaping the space around them, altering perception, inviting exploration.

An Ongoing Exploration

This series is just the beginning. As I continue to refine this process, I see endless possibilities. Different materials, different settings, different ways of engaging with space. Each sculpture informs the next, building upon ideas, expanding the language of form and motion.

My goal is not just to create objects, but to create experiences. To invite people into a world where solid forms breathe, where steel feels weightless, where reflection and reality blur into one. This process is a journey—one that I am excited to continue exploring, pushing the boundaries of what is possible, and bringing new visions to life.